Vox’s coverage of Netflix news, shows, and streaming recommendations.
A star-studded film explains the hope and hype behind regenerative agriculture.
By Kenny Torrella
Roku, Amazon, and practically every company in the streaming business are inventing new ways to make money off your data.
By Adam Clark Estes
28 years after the murder, a new Netflix docuseries has us questioning what we think we know.
By Aja Romano
In the new Netflix documentary “Martha,” her relentless drive becomes her most endearing characteristic.
By Constance Grady
Everybody’s in LA’s week-long stint is over. It still might point toward the streamer’s future — and the comedian’s.
By Aja Romano
The Menendez murders seemed inexplicable. They’re not anymore.
By Aja Romano
Monsters could have been a nuanced look at abuse. Instead, it’s sleazy tabloid drama.
By Aja Romano
The comedian and former talk show host wants to girlboss her way to sympathy.
By Alex Abad-Santos
Writer-star Richard Gadd denies that Fiona Harvey is the basis for the complicated character.
By Aja Romano
Netflix’s America’s Sweethearts is a convincing argument that the organization shouldn’t exist
By Alex Abad-Santos
I dove into the scary world of streaming bundles, and now Dolly Parton talks to me while I walk.
By Adam Clark Estes
The show’s first queer storylines have been met with backlash, homophobia, and misogynoir.
By Aja Romano
Bridgerton’s third season is gauzier than ever. Should we still be holding it accountable?
By Aja Romano
The fractured friendship between Pen and Eloise centers the Netflix hit.
By Aja Romano
The hugely anticipated remake delivers on the drama, charm, and spectacle of the original.
By Aja Romano
Future PerfectJan 12, 2024
Future PerfectJan 12, 2024
What a plant-based diet can and cannot do for you, explained by Netflix’s You Are What You Eat.
By Kenny Torrella
May December isn’t camp. So what is it?
By Aja Romano
Netflix struggled for years to land a mainstream anime hit. Enter Blue Eye Samurai.
By Aja Romano
Matt Rife’s one comedy rule: Be funny. The problem: He isn’t.
By Aja Romano
The Netflix hit faced backlash for being too fictional. Season 6 doubles down.
By Aja Romano
Escaping Twin Flames shows how a self-styled guru turned soul mates into a dangerous form of coercive control.
By Aja Romano
Wes Anderson’s new Netflix shorts are the latest case for the form.
By Alissa Wilkinson
Remember when Netflix’s competitors, like Warner Bros., kept their biggest stuff on their own streaming services? That’s so 2021.
By Peter Kafka
The company is finally completing its pivot away from shipping DVDs — and it’s not asking for its discs back either.
By Adam Clark Estes
Can romance’s fantasy of wealth survive the labor rights movement? Let’s ask, uh, this frothy K-drama.
By Aja Romano
A chat with Charlie Brooker about AI, creativity, and why tech can be like growing an extra limb.
By Peter Kafka
Netflix set out to become HBO. Now it’s going to stream actual HBO shows. Goodbye, streaming wars?
By Peter Kafka
Welcome to FAST: The free, ad-supported, streaming television bargain bin.
By Sara Morrison
Netflix’s The Diplomat asks what high-powered political games look like when they’re played by a woman with impostor syndrome.
By Aja Romano
Netflix and A24’s Beef is astounding, anti-ambient TV.
By Alex Abad-Santos
Ceaseless watcher, gaze upon this wretched thing.
By Alex Abad-Santos
Another Big Tech founder (mostly) moves on.
By Peter Kafka
Streaming isn’t going away, but go-go spending is going, going, gone.
By Peter Kafka and Rani Molla
We bid adieu to moonshots, Portals, and ad-free Netflix.
By Sara Morrison
“Elon Musk is the bravest, most creative person on the planet.”
By Peter Kafka
The new CEO helped kick off the streaming era when he was the old CEO. Now Wall Street wants something else.
By Peter Kafka
Inconvenient history, long buried, finally gets the spotlight in Netflix’s Descendant.
By Alissa Wilkinson
Netflix’s new cheaper subscription has ads, but it doesn’t have all of its shows and movies.
By Peter Kafka
True crime has made huge strides in centering the victim. But we keep getting series like the Netflix docudrama.
By Aja Romano
How to track which media company owns your favorite show — and why that may no longer be a media company.
By Rani Molla and Peter Kafka
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