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Youkai - TV Tropes

"I begin this book with the inconclusive story, a mundane modern mystery, because it raises the simple question of how we interpret our world. In particular, how do we explain occurrences that don't easily fit our everyday understandings of the way things work? When we ask who or what turned on the television, we are intimating that there is a living being or animated force interacting with us even though we cannot see it. We may visualize this force as a monster or a spirit or a ghost or a shape-shifting animal. In Japan such a force, and the form it takes, is often called a

yokai

."

Michael Foster, The Book of Yokai: Mysterious Creatures of Japanese Folklore

妖怪 (Youkai/Yokai/Yōkainote All are valid Romanizations of the kanji, depending on the Romanization system used, roughly "bewitching spectres") are a grand collection of various supernatural creatures and phenomena that pop up in Shinto religion, their spelling derived from the Chinese pinyin Yaoguai. They have a lot in common with The Fair Folk — some youkai are good, others are evil, and many have their own alien set of values. Some are mischievous, others avoid humans entirely. Shinto is an animist religion, and youkai are often associated with natural features such as forests and mountains. While sometimes glossed as "demons",note A word which is usually translated into Japanese as akuma a closer Western equivalent is probably the ancient Roman genii, The Fair Folk, "monsters" (in the Monster Mash sense), or trolls in Scandinavian folklore.

Supernatural creatures drawn from Western sources often turn out to seem more like youkai in Japanese works. For instance, vampires.note See the section on oni below. In the West, you've got Count Orlok — a grotesque, undead monster who burns in sunlight and murders to preserve his hideous unlife. In Japan you've got exceptionally cute protagonist Moka Akashiya, who is not undead, harbors no ill-will towards the sun, and drinks tiny amounts of blood that leave her "victim" light-headed at worst, but who has a Superpowered Evil Side who can (and will if you look at her the wrong way) kick your ass thoroughly.

Henge, a subset of youkai, are magical animals with Voluntary Shapeshifting powers and human intelligence. They often assume human form and get into all kinds of mischief. Kinds of henge include Kitsune, Tanuki, and Nekomata.

Obake is another Japanese word that can indicate some type of monster. Derived from the word for "to change", it generally covers the subset of youkai that includes shapeshifting animals (hence the terms bake-gitsune, bake-neko, etc.) as well as Animate Inanimate Objects. Confusingly, however, the word obake can also be used to refer to ghosts, also known as yuurei. See Stringy-Haired Ghost Girl for more information.

Ayakashi is a word which is roughly synonymous with "youkai" in current day usage, though it traditionally refers to spirits that appear over water.

Mononoke is a similar term to ayakashi, in that it is widely used but technically refers to vengeful spirits that can cause disease or other harm through possession.

Many types of youkai were codified during the Edo period in the works of Toriyama Sekien. The genre of manga that deals with Youkai was founded by Shigeru Mizuki (1922–2015), who was obsessed with Youkai ever since he was a child. The Trope Codifier of modern youkai manga is his ever-popular GeGeGe no Kitarō that has received an anime adaption at least once a decade since it was written.

Among all these, the Three Great Youkai of Japan are a group of either three species (oni, kappa and tengu) or three individuals (the oni bandit Shuten-douji, the seductive fox Tamamo-no-Mae and the "ferocious demon king" Ootakemaru) considered to be especially famous.note The last of whom is sometimes confused with members of a group of Vengeful Ghosts called the Three Great Onryō of Japan

Sister Trope of Our Yaoguai Are Different, the Chinese counterpart of youkai — supernatural non-humans who gain their powers and longevity by Taoist cultivation. They share a kanji/Chinese character transcription and several potential characteristics, like Voluntary Shapeshifting powers and (super-)human intelligence, but are not synonymous due to regional variations.

The list presented below is by no means complete. Most youkai are regional creations and then there's also the youkai of the past which have survived to modern times only as a small note or drawing in a scroll. Only a few make it into modern national media and last there.

Youkai with their own articles: Other Youkai:

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    Futakuchi-onna and Hari-onna 

Futakuchi-onna

and

Hari-onna

are youkai resembling human women. In the case of futakuchi-onna, the catch is that they have a second mouth on the back of their heads and a voracious appetite. They get up at night and use their

Prehensile Hair

to stuff their second mouth full, leaving any human households they occupy in financial ruin from the constant loss of food. Sometimes, suspicion is drawn away because the human-looking side of the head doesn't eat much or at all. Hari-onna do not have second mouth, but they have prehensile hair that ends in needles. With these, they rip apart their victims to make them consumable to a human physiology.

Not to be confused with the Kuchisake-onna, a female ghost who has only one mouth even if it's ripped open from ear to ear.

Examples:Anime & Manga

Live-Action TV

Tabletop Games

Video Games

Webcomics

Western Animation

    Bakekujira 

Bake-kujira (化鯨, "ghost whale"), more rarely also called Hone-kujira (骨鯨, "bone whale"), are undead whales, floating on or above the surface of the sea and accompanied by strange or likewise undead sea creatures and birds. Bake-kujiras seek revenge against whaling vessels and people who eat or use whale products —sometimes they are specifically the reanimated husks of whales killed by whaling vessels, while other times they are spirits called to avenge slaughtered whales or created by the cetaceans' fear and distress— and relentlessly pursue and attack anyone who endangers or causes pain for whales.

In terms of appearence, Bakekujiras are depicted as various other types of undead — zombie, skeletal, and spectral whales all appear in this capacity.

See also Monster Whale, Raising the Steaks, Gaia's Vengeance, Murder Into Malevolence, and Vengeful Ghost.

Anime & Manga Tabletop Games Video Games

    Kijimuna 

If a tree falls in a forest, are we sure there's no one around to hear it make a sound?

Kijimuna

are

Little People

in Okinawan folklore the size of children and on occasion

smaller

. They are banyan tree spirits characterized by their copious red hair. They may or may not have matching skin, and if not, then their skin is bark-brown, all of which well visible because their choice of dress are skirts made of

green leaves

and little more. Kijimuna are fiercely protective of the banyan trees they inhabit, but roam widely. They're avid fishermen that spend a lot of time on and around the water and they enjoy the company of humans, so they'll invite themselves over whenever they feel like it. Kijimuna are friendly majimun, bringing good fortune to the houses they pick, but if they're treated unjustly,

their vengeance is severe

.

Kijimuna can be found in any banyan tree, locally known as gajumaru, but the older and bigger the tree, the more likely it is a kijimuna or even a whole kijimuna family lives within its branches. It is common for banyan trees that stand nearby buildings to have a nail driven into the trunk in order to keep any kijimuna inside or prevent them from taking up residence in the first place. Because while kijimuna are friendly, they're also insistent and mischievous. Among other things, they're known to sit on sleeping humans, accounting for sleep paralysis, or disturb their sleep by flipping their pillows. Stories of people who were accosted by kijimuna while out on a walk claim that a human covered in the creature's hair becomes immobilized. Kijimuna also have a small habit of stealing fire from hearths and lanterns. To them it's just play, but to humans it can have consequences. Fortunately, one of the things kijimuna absolutely despise is humans passing gas, so that's a solid way to get rid of them.

The other things kijimuna are known to dislike are hot pot lids, chickens, and, most of all, octopi. There's no reason given why any of those anger the creature, but there is a story that the kijimuna's ancestors were killed by octopi. Kijimuna are fond of fishing, but they're picky eaters who strongly prefer the eyes of the fish and sometimes even only the left eye over the rest of the meat. Rather than let it go to waste, they donate their catch to humans. Fishermen that find their nets filled with one-eyed or eyeless fishes may rest assured that the kijimuna are looking out for them.

Like several other youkai, kijimuna are associated with ghost fires. Occasionally when they walk along the shore, they'll be accompanied by ghost fires and similar inexplicable lights on the sea surface are attributed to the kijimuna. A ghost fire above a roof is a kijimuna's sign that someone in the household will die. Like most majimun, kijimuna are active on Shibasashi Day and this is when their fires are most common.

Kijimuna are known by various names across Okinawa, the second most common being "bunagaya", which calls attention to their slightly oversized heads. An argument can be made that these are all separate majimun, but they're commonly regarded as the same creature. There are also a handful of similar majimun that are specifically defined and therefore have a more complicated relation to the kijimuna.

It's usually up to the kijimuna if and when they approach humans, but there are means to coax them out. For instance, whistling while out in the middle of the night might garner their attention. More effectively, there's a child's play to call kijimuna. It consists of drawing a circle in a quiet and dark place and sprinkling white powder such as flour in it. A candle is to be put in the center and the partakers are to hide and concentrate for 20 seconds. After that, kijimuna footprints will be visible in the powder.

The kijimuna are in use as Okinawa's mascots. Tourists are bound to bump into statues of the creatures, both male and female, at key places on the island. This is why they're the go-to pick in supernatural fiction when a creature from the Ryukyu Islands would liven up the cast. Historically, kijimuna have been close to exclusive to Okinawa, but the creature's popularity compared to other Ryukyuan monsters means it sometimes gets assigned to other islands. If a fantasy counterpart of Okinawa is used, it is likely called Chura Shima ("Beautiful Islands"), Japan's nickname for the Ryukyu Islands, or Nirai Kanai, the Ryukyuan divine realm located Eastwards. Another reverberation of kijimuna's popularity is that from time to time they are paired with shisa, the second most well-known majimun.

See also other little people in Japanese folklore, such as the youkai korpokkur, the god Sukunabikona, and the hero Issun-boshi. Kappa are considered to be related to the kijimuna. Other comparisons include the Zashiki-warashi on grounds of being beneficiary and child-like house spirits and the kodama for being small tree spirits too.

Examples:Anime & Manga

Literature

Live-Action TV

Tabletop Games

Video Games

Visual Novels

Web Games

    Korpokkur 

Korpokkur

, rendered in Japanese as koropokkuru

note And also as korobokkuru and koropokguru. In the Ainu language(s), "b" and "g" don't exist as separate letters but are the pronunciations of "p" and "k" under certain circumstances.

and

romanized

in more ways than there's fingers to count with, are

Little People

from Ainu folklore said to have lived on Hokkaido before the Ainu arrived. There is debate on the meaning of the term, but "kor-pok-kur" is generally taken to mean "people under the butterbur (leaves)".

note Alternatively, if the origin of the term would be "kurupun-un-kur", the meaning would be "people under the rocks". Support for this possibility comes from an older term for the korpokkur, "toychise-un-kur", which means "people living in pit(-house)s" or "pit-dwellers".

In modern media, they are typically depicted as

fairy-like beings

dressed in traditional Ainu-inspired clothes while carrying a butterbur leaf to hide or take cover under. They are shy and harmless nature spirits that straddle the line between youkai and

cryptid

.

According to the Ainu, the korpokkur were more hairy than they are, had reddish skin, and were a lot shorter. Depending on the retelling, they are a pygmy-esque 120 cm in height tops (as opposed to the Ainu average height of around 160 cm) or they are as small as 10 cm. The korpokkur are given credit for the flint tools and samples of pottery left behind in and near pit-house remnants of 1 to 2 meters deep. It is thought that these pit-houses were thatched with butterbur leaves.note The meaning "people under the butterbur (leaves)" evokes the image of a little person finding cover under a small plant. There's folkore that supports this, but also the butterbur of Hokkaido go up to 2 meters, up to 3 meters if they grow near the Rawan river, and supposedly in the past there were butterbur that could reach 4 meters. Hiding under a roof made from leaves makes more sense than hiding under the plant. The korpokkur are variously said to have left gifts and to have been secretive trading partners of the Ainu, only operating by night or through gaps and windows. Either scenario is consistent with the principles of silent trade. There are multiple stories as to why these little people disappeared, a notable one being that an Ainu man was curious and grasped a korpokkur's arm during a trade. The korpokkur were furious and left after that incident never to return. The popular version of that tale states that the korpokkur was a woman with tattoos on her arm and that hers were the inspiration for Ainu women to get tattoos, but it's also said that the korpokkur didn't do tattoos. Another tale in regards to their fate is that the Ainu drove the korpokkur to extinction, but there's also the claim that the korpokkur are the ancestors of the Ainu.

Prior to the 1880s, the korpokkur had been reported on to Mainland Japan by travelers such as Matsuura Takeshirō. A nationwide introduction began with Edward Morse, a pottery enthusiast who did archeological research in Japan in the late 1870s. One thing he took note of is that there was pottery to be found on Hokkaido, but that the Ainu didn't make any and claimed never to have done so. Morse reasoned that there must have been another culture before the Ainu settled on the island. Morse's student Shōgorō Tsuboi heard of the korpokkur and ran with it, proposing that they were the pottery-making Jōmon of yore and the Ainu invaders. Thus the korpokkur became a subject of fierce debate in Japan's climate of rapidly developing nationalism and desires of colonization. The contention died down in the 1900s when Tsuboi's own protégé, Torii Ryūzō, pointed out that the Kuril Ainu did live in pit-houses and made pottery. To this day, there's no definite answer what inspired the stories of the korpokkur, but contact with the Kuril Ainu remains a candidate.

In 1959, Satoru Satō finished A Little Country No One Knows, the first book of the Korobokkuru Monogatari series. Satō was born in 1928 when the korpokkur were receding from Mainland Japan's awareness and grew up reading Western Fairy Tales such as Aesop's Fables and the works of The Brothers Grimm. Korobokkuru Monogatari reimagines the korpokkur as fairy-like liliputians that live beneath human notice and stand for a nature-compatible Japan in the face of the rapid industrialization of the post-war era. The novel was distributed in private circles in March and picked up by Kodansha for commercial publication in August. The novel and its sequels were a huge hit with lasting impact both on the Japanese fantasy genre and on the image of the korpokkur.

To this day, Satō's fairy tale version remains the dominant template for the korpokkur, but Ainu culture is infused as far as Mainland Japanese assumptions and aesthetics allow. For instance, korpokkur commonly dress and adorn themselves as per Ainu tradition, but because of the stigma on tattoos, korpokkur aren't ever depicted as having those. If the korpokkur are from a fantasy counterpart of Hokkaido, it is likely called Kamuy, the Hokkaido Ainu word for "deity". The key attribute of a korpokkur is the butterbur leaf they carry around as umbrella or parasol. To further emphasize the korpokkur's size, they tend to be put next to small animals like frogs and mice and sometimes are depicted as anthropomorphic animals. If there's an elemental theme in a given work, the korpokkur will fall under plant and/or ice. The former derives partially from Satō's work and partially from the butterbur association, while the latter comes from Hokkaido being Japan's cold north. The korpokkur have an affinity with children.

See also other little people in Japanese folklore, such as the majimun kijimuna, the god Sukunabikona, and the hero Issun-boshi. The tsuchigumo and living dogu are related youkai on account of their historic origins and interpretations, while snow rabbits share in the winter sentimentality.

Examples:Anime & Manga

Literature

Music

Tabletop Games

Video Games

Visual Novels

Web Games

    Kuchisake-Onna 

"Are we pretty?"

The "Kuchisake-Onna" or the "Slit-Mouthed Woman" is a malevolent ghost woman who appears wearing something to cover her face hiding a

Glasglow Grin

while brandishing a sharp object. Legend says that she hunts targets and asks them if she looks beautiful. If they answer "no", she'll use her weapon to kill them on the spot. If they say "yes", she'll remove her mask to reveal her scars and asks again if she's beautiful. No leads to death but yes leads to her using her knife to carve a smile on their target's face.

Her origins dates back to Japan's Edo period and the reasons for she received her original scars vary. Some stories say she was attacked by a jealous rival or the victim of a surgical operation gone wrong. Others say that she was in a relationship with a samurai who cut her face after she cheated on her with countless men. For past depictions, she'd often wear kimono dresses and would cover herself fan while using a knife or scissors as her main weapon. In modern times, she wears a large trench-coat and uses a face mask.

The few ways to escape her wrath involve either saying she looks "average" (which leads to her working on her appearance which grants the target a chance to run away) or if they say "pomade" three times to ward her off.

Examples:Anime & Manga

Film

Web Comics

    Living Haniwa sculptures 

Haniwa

are clay statues from the end of the Yayoi period through the Kofun period to the early part of the Asuka period. They're funerary objects and may have been made to replace

human sacrifices

. The

Nihon Shoki

mentions that Emperor Suinin, who is thought to have ruled from 29 BCE to 70 CE, issued an edict to erect clay statues during funerals and not hurt people.

Haniwa are an example of Haji pottery, mass-produced objects of clay that are unglazed but sometimes painted. They become popular during the 1970s along with the dogu and have been incorporated in loads of fiction. The funerary element may be present, but just as likely they are present for comedic purposes. Haniwa are also prone to be connected with other elements assigned to their general era of production, whether by legend or science. The legendary Queen Himiko and the Seven-Branched Sword are examples of such elements.

Haniwa were mass-produced during the 6th century, but thereafter the introduction of Buddhism and the practice of cremation caused a decline in the building of tumuli and, thus, in the production of haniwa.

Examples:Advertising

Anime & Manga

Films — Live-Action

Literature

Live-Action TV

Tabletop Games

Toys

Video Games

Western Animation

    Living Jizo sculptures 

Mi kasa es su kasa.

(Daigan) Jizo (Bosatsu) is the Japanese name for the bodhisattva better known as Ksitigarbha. Because he has postponed his own ascension to Buddhahood until all hells have become empty, Ksitigarbha is a guardian deity of the souls stuck in hell. In Japan, he is specifically worshipped as a protector of deceased children and fetuses, who are stranded at the banks of the Sanzu River. Statues of him, simply called jizo, are therefore a common sight near or at cemeteries. Jizo placed along roads away from cemeteries and shrines are plentiful as well and cast the bodhisattva in the role of roadside guardian. Placement of jizo varies from a single statue in the open, one or more statues placed in a shrine, to multiple statues in a row. Groupings of six have significance as symbols of the six realms of existence.

The core design principle of jizo is that they look like a Buddhist monk. They are bald, have long ears, wear a urna, are dressed in a robe, and carry a peaceful expression. They may hold their hands together in prayer or hold a khakkhara on the right and a cintamani on the left. Because of Jizo's association with children, some statues are childlike in appearance with big heads and cute faces. It is practice to adorn the statues with hats, bibs, bandanas, scarfs, and other such accessories. There is no prescribed color for the fabric, but by far the most popular and iconic is red. Food is another customary offering to jizo, and flowers, toys, and other small items are possible gifts too. Small piles of pebbles placed nearby jizo are to alleviate the workload of deceased children, who have to build a tower of pebbles to escape the river bank.

The ubiquity of jizo in the Japanese landscape has given rise to numerous folktales in which these statues come to life. If they do, they're imagined as aspects of Jizo but all the same separate entities and it's about as likely that a given living jizo is benevolent as it's likely that it's malevolent. After all, the statues are theoretically in contact with hell and there's an undeniable creepiness to having to pass by one or several little humanoid forms while out alone. It's not necessarily that all of them would be dangerous, but rather that one among the statues is a monster Hidden in Plain Sight. Or they might attract a real monster, as for instance is the case with the ubume that sometimes carries not a child with her but a jizo. Haunted jizo, whether malicious or just uncanny, may be referred to as bake-jizo.

The best-known folktales involving living jizo are Kasa Jizo and Kesakiri Jizo. In Kasa Jizo, an impoverished elderly couple donates spare kasa and one of their own to a row of jizo to shield them from the cold weather. The statues visit them later and generously repay them for their kindness with money and food. In Kesakiri Jizo, a haunted jizo scares passers-by with its eerie laughter and long red tongue until a samurai cuts it in two. Kesakiri Jizo is an example of a Warai Jizo (Laughing Jizo) story. It also is a twist on the popular Migawari Jizo or Substitute Jizo motif, which is about jizo taking a human's place as recipient of harm. Such a Heroic Sacrifice often leaves the statue headless or split in two.

The first modern work to feature a living jizo may be Bake-Jizo, one of the two oldest Japanese horror films, both finished in 1898 and both lost. No details remain of the film, but the title suggests that a jizo would have played a role, quite likely as an antagonist. In the decades after, depictions have come to lean more towards a positive portrayal influenced by Kasa Jizo. Being nice to a jizo is close to a guarantee it'll be indebted to you, which usually is a favorable situation but may result in comedic Unwanted Assistance. On the other hand, a slighted jizo is dangerous. In contrast to folktales in which injured jizo always bleed, modern works depict stone as stone. Equally, the folkloric possibility for a living jizo to be another youkai in disguise, such as a tanuki or a hitotsume nyūdō, is rarely reproduced nowadays, even in regards to evil jizo.

In regards to the word "jizo", the Japanese language allows wordplay that doesn't translate easily to English. The name "Ji-zō" is composed of the kanji for "earth-place of safekeeping", but can phonetically be interpreted to mean "old man-statue". There are other puns possible, but "old man-statue" is particularly fitting. Another bit of linguistic flexibility is that in Japanese, the "ji" and the "zi" aren't distinct letters, meaning that there's greater room for puns than in English.

Sub-Trope of Living Statue. Compare Genie in a Bottle for another monster that becomes indebted if cleaned.

Examples:Anime & Manga

Folklore

Literature

Tabletop Games

Urban Legends

Video Games

Web Animation

    Living yuki-usagi sculptures 

I asked fow a

cawwot

and tuh snowman tuhned theiw nose up at meh.

Yuki-usagi (snow rabbits)

are rabbit-shaped snow figures made in Japan that consist of buns pressed from snow, leaves of the evergreen nandina as ears, and red nandina berries as eyes. They've been a winter tradition for several centuries as attested to in paintings. For variety or lack of resources, sometimes other animals are created or other plants used for the decoration.

Living snow rabbits may be sculptures that have come to life, or mystical bunnies that share the same colors. They sometimes represent snowflakes. Because of their positive image, their presence is a useful shorthand to communicate that a Yuki-onna or similarly intimidating cold spirit is a kind person.

See also snowlems and Living Dust Bunnies.

Examples:Advertising

Anime & Manga

Music

Tabletop Games

Video Games

    Nozuchi 

Nozuchi

or

nodzuchi

are one of the oldest youkai in recorded history. Their name means "wild hammer" or "wild mallet" due to their hammer-like shape and temperament. Hairy and snake-like, nozuchi lack any features other than a mouth and make their habitats in trees. They move around by biting onto their tails and rolling down hills. They generally eat small mammals and aren't outright malevolent, but will attack humans in their territory. They can deliver strong bites, horrifically mangling the victim's legs and afflicting them with a lethal fever. Nozuchi are also said to transform into a humanoid form, though only on rare occasions.

It's said that monks who are banished from their temples due to wickedness may turn into nozuchi. These formerly human nozuchi are more likely to take on humanoid forms than natural-born nozuchi.

Nozuchi were once considered simply another name for tsuchinoko, but over time both have evolved into distinct youkai.

Examples:Video Games

    Nukekubi and Rokurokubi 

Nukekubi and Rokurokubi

: These two creatures are

humanoid

monsters, usually but not always female. The Nukekubi can detach their heads from their necks and float away in search of human flesh and blood, as well as vermin and lamp oil; while Rokurokubi are human by day, but have extremely elastic necks during the night. In some depictions, Rokurokubi aren't a true species, but the

Partial Transformation

form of a snake youkai. Sometimes they enter

Ambiguously Human

territory, being treated as humans afflicted by a strange

curse

or

medical condition

; those who were born and live as humans also make for a good "almost-normal"

Audience Surrogate

among a cast of more dangerous youkai.

Interestingly, the Nukekubi and Rokurokubi both resemble some very similar monsters from Southeast Asian foklore; including the Krasue, Leyak, Manananggal, and Penanggalan. Much like the Nukekubi, these are all vampiric creatures which can detach their heads (or torsos) from the rest of their bodies, flying around in search of human prey. It's very probable that the Japanese Nukekubi/Rokurokubi shares a common mythical origin with their Southeast Asian counterparts.

Examples:Anime & Manga

Comic Books

Literature

Live-Action TV

Tabletop Games

Video Games

Webcomics

    Nuppeppo 

Nuppeppō: A fleshy blob creature that lumbers around in deserted places, mainly temples and graveyards. They have a smell comparable to that of rotting flesh, leading some to believe they are made of corpses. In spite of this, nuppeppo are generally peaceful creatures.

Examples:Live-Action TV

Tabletop Games

Video Games

    Nyuudou 

Nyuudou

: Youkai that look like Buddhist monks, commonly encountered on roads. They existed in many different varieties and were one of the favorite forms for youkai possessing

Voluntary Shapeshifting

powers to assume.

Mikoshi-nyuudou, Miage-nyuudou, and Nyuudou-bouzu are short monks who would grow taller as one looked at him until either one's neck was completely exposed from looking up at the nyuudou, at which point it would cut off one's head, or one fell backwards from trying to see how tall the nyuudou became, at which point it would laugh at you and disappear. Hitotsume-nyuudou are, just as their name indicates, one-eyed, cyloptic nyuudou.

Examples:Anime & Manga

Live-Action TV

Video Games

    Sazaeoni 

Sazaeoni means "turban shell spirit", and refers to a humanoid version of the turban-shell sea snail. The usual way this obake comes about is when a regular turban snail reaches 30 years of age, but there's also folklore claiming that sazaeoni are human women drowned because of their libidinous lifestyle. Sazaeoni may be perfectly harmless, be testicle thieves, or discreetly roam the coast for a human to dine on.

Compare umidebito and shussebora, as well as the princess from the Javanese fairy tale Keong Emas.

Examples:Anime & Manga

Comic Books

Live-Action TV

Tabletop Games

Video Games

    Turbo Baba 

Turbo Baba (ターボババア Tābo Babā) or localized as Turbo Granny, is regarded a modern-day yokai. She was originally sighted around the highways of Mount Rokko in Hyogo Prefecture in Japan, where drivers would claim to see an old lady running as fast as them through their mirrors. In some versions, Turbo Baba would try to ram into their cars or break their mirrors to create an accident.

Examples:Anime & Manga

Webcomics

Video Games

    Wanyuudou 

Wanyuudou

: A burning wheel, frequently with a man's/monk's face serving as the hubcaps. This bizarre entity flies about at night in search of humans to slaughter on sight and kidnap their souls. Often lumped with the Buer from the

Ars Goetia

.

Examples:Anime & Manga

Comic Books

Live-Action TV

Video Games

     Youkai of the Toilet (Toire-no-kamisama) 

Other appearances of Youkai in fiction:

    Examples 

Works that feature multiple types of youkai include:

Examples:Anime & Manga

Arts

Comic Books

Fan Works

Films — Animated

Films — Live-Action

Literature

Live-Action TV

Music

Tabletop Games

Video Games

Web Animation

Webcomics

Web Original

Western Animation


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