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Toon Physics - TV Tropes

Animation Tropes, of course, occur in most Western cartoons of the classic era. Like any genre trope, they became consistent enough to be considered the "natural laws" of that setting.

Toon Physics hangs a lampshade on those tropes, by explicitly and consistently pointing out how creatures of ink and paint operate under different rules from those of flesh and blood, while coexisting in the same setting. Toons living in or visiting a flesh-and-blood world will still operate under their own unique laws of nature.

Humans visiting a cartoon world may operate according to the local laws — or may not. This doesn't have to be consistent even within a given work. In Who Framed Roger Rabbit, for example, Eddie experiences many Animation Tropes first hand — but his brother was killed by a falling piano (admittedly this may have been a real piano that was dropped by a toon; it was also presumably dropped outside of Toon Town, onto a normal human).

Seen in any Trapped in TV Land tale that includes a jaunt into a cartoon.

Contrast Refugee from TV Land and Real-World Episode, where characters from a "fictional" milieu enter the "real" world and, more often than not, find that the world doesn't work the same way anymore.

Sister Trope to Artistic License – Physics, when things in the "real" world seemingly obey Toon Physics laws (ostensibly for the Rule of Cool).

    open/close all folders 

    Anime & Manga 

• Chibikko Rémi to Meiken Kapi (1970): When Capi and the purple cocker spaniel are having a Dance of Romance, he's so engrossed in it he doesn't notice he's not on the ship anymore - and only notices that he's in mid-air above the waters when he looks down.
• Igano Kabamaru: Any time the titular Kabamaru needs to ingest in a lot of food, he stretches open his mouth comically wide. And that's not even mentioning how he turns into Usain Bolt any time there's a sport event.
• In Dragon Ball Super, Vegeta becomes Genre Savvy enough to realize Arale runs on this, identifying her as a "gag manga character" and tries to counter it by using unconventional techniques like the classic Look Behind You. The only person capable of posing a threat to her was Beerus, but even then she's saved by a Deus ex Machina.
• One Piece: Between Zoro being able to speak clearly with a sword in his mouth because "his heart lets him," or Nami being able to damage Rubber Man Luffy with blunt force because she "hurts his spirit", much of the One Piece world already runs on Nonsense. However, this trope most actively applies when it comes to the abilities of Luffy's Devil Fruit the Gomu Gomu no Mii (Gum-Gum Fruit). Normally, the fruit simply grants its user a body of rubber, which allows Luffy to stretch his body, but it also allows Luffy to come up with some unique techniques by taking advantage of the fact that every part of his body is made of rubber. The best examples are Luffy's Gear Second form, where Luffy increases his speed by manually pumping his blood and increasing his body's blood flow, and his Gear Third form, where Luffy gains increased power by inflating his bones to turn his hands and feet into those of a giant. This is expanded upon even further when it's revealed that Luffy's Devil fruit, which everyone thought was a simple Paramecia class, is actually a rare Mythical Zoan Fruit that the World Government have been hunting for 800 years. The fruits true name is the Hito Hito no Mii Model: Nika (Human Human Fruit Model: Nika) and its true strength lies in its Awakening which grants its user a brand-new transformation. This transformation, that Luffy refers to as Gear Fifth, grants the user the ability to freely alter their shape, as well as imbue surrounding objects with the properties of rubber. When Luffy incorporates these new abilities into his moveset, it results in an unpredictable fighting style that highly resembles something out of old theatrical cartoons form the 30s and 40s.
• Ouran High School Host Club occasionally takes advantage of this. Mostly in the anime, though.
• Haré+Guu does this almost all the time.
• Kill la Kill has Mako Mankanshoku and Nui Harime, who operate by this while everybody else uses standard shonen anime physics. The former of the two uses them for their traditional comic relief purpose, while the latter weaponizes them.
• Pokémon the Series: The Team Rocket trio seem to operate on Toon Physics more than other characters. Especially when they put up with abuse that would grievously harm other characters like being electrocuted and "Blasting Off". Ash himself may also count as he's also been shocked by Pikachu many times over the course of the anime, although humans in the franchise tend to be more durable than us.
• In Yu-Gi-Oh!, Pegasus plays a Toon Deck where the monsters essentially weaponize toon physics to run absolute rings around his opponent's monsters, which are bound by realistic (In-Universe) physics. Stuff like Blue-Eyes Toon Dragon bending its body out of the way of its normal counterpart’s Burst Stream of Destruction and having Toon Mermaid’s clam sprout arms to catch a sword and outright break the game's rules are just par for the course when these silly, but deadly creatures pop out of his deck.

    Comic Books 

• The Awesome Slapstick: Slapstick a.k.a. Steve Harmon. After being transformed into "living electroplasm" from an accident with an alien portal, Slapstick is essentially a Toon — he is able to freely abuse Toon Physics, making him a Nigh-Invulnerable minor Reality Warper. He can recover from all injuries almost instantly with no damage, and has performed otherwise impossible feats, such as swallowing a box of bullets and rapidly firing them by spitting them out like a machine gun. Specifically, Slapstick is a character in the 616 Marvel Universe, just like Spider-Man and the Fantastic Four. However, he has super powers that just happen to make him resemble a cartoon. He has a normal human form, but when he transforms to his Slapstick form, he has Rubber Man powers, meaning that he can be stretched harmlessly and turn into an accordion when crushed, and a very powerful Healing Factor, meaning that he can be riddled with bullets, and burned to ash and leave his eyes unharmed long enough for a few blinks. He also has gloves which can access a "sub-spacial storage pocket," or, in layman's terms, Hammerspace. Finally, he has the personality of a practical joker. Put it together, and he's a cartoon character who could reasonably interact with the X-Men.
• Batman: In the DC Black Label Elseworld series Batman: Gargoyle of Gotham, the villain Crytoon is obsessed with the cartoon character of the same name and reenacts the character's antics. While the injuries are easy to brush off in a cartoon thanks to Toon Physics, it's much worse in real life.
• Dastardly & Muttley: The comic has this in spades, due to being a comic about the real world suddenly having people gain powers related to cartoon physics and being transformed into cartoon characters themselves. However, unlike most examples of this trope, this is not portrayed in a comedic manner... well, at least not for the most part. It's deconstructed and portrayed horrifically, because it's a comic that shows what would actually happen if this trope existed in real life. And the results aren't pretty. And it makes sense when you consider that a), it's a Darker, Edgier and somewhat more realistic reboot/interpretation (emphasis on the "somewhat") of Dastardly & Muttley in Their Flying Machines and b), it's written by Garth Ennis. Granted, the way cartoon physics is portrayed in this story isn't as dark as some of Ennis's other works, but it's still pretty ghastly.
• The Mask: Like the film it inspired, The Mask grants its wearer the use of Toon Physics. Unlike the film, though, victims of The Mask's shenanigans are not subject to the same, so things like Squashed Flat and Torso with a View end up as brutally gory deaths instead of Amusing Injuries. For example, the scene where Ipkiss stuck car parts into the mechanics who ripped him off? In the movie, they survive but are in desperate need of a proctologist. In the comic, they're left as bloody corpses. Or how about the scene where he makes a Tommy gun out of a balloon? In the movie, he scares away the thugs. In the comic, he blasts them into hamburger meat.
• The Multiversity:
  • In The Multiversity #1, Captain Carrot invokes this in a fight with a HULK MASH!-Up on Earth-8, a fight he won by the way. Being squashed flat doesn't do anything to him, because he can just pop back up again.
  • The Multiversity Guidebook #1 notes that this is true for all of Earth-26. Being destroyed apparently isn't much of a problem for it, either.
• Superman: In The Adventures of Superman #441, Mister Mxyzptlk makes cartoon characters real and attacks Superman with them. The creatures (expies of, among others, Fred Flintstone, The Smurfs, and Mighty Mouse) obey this and are thus somewhat of a chore, but when Superman himself is turned toony by Mxy, he exploits it (pulling a cat from Hammerspace in his cloak to scare the Mighty Mouse expy, for instance).

    Comic Strips 

• Sam's Strip: The lead characters had almost Seinfeldian conversations about the physical laws in their comic strip world.

    Fan Works 

    Films — Animation 

    Films — Live-Action 

• In Who Framed Roger Rabbit, the toons naturally have this power, but live humans do not outside of Toon Town, which means even though the vast majority of them are benign and friendly, it's entirely possible for a toon to kill a human using cartoon rules. This is what makes Judge Doom so scary, because he can and does kill people with Toon Physics. Furthermore, he found a way to kill the supposedly immortal toons with the Dip, made out of turpentine, acetone and benzene (i.e. oil remover, paint thinner and film dissolver). Humans' and Toons' being able to survive things is further explained as being based on Rule of Funny. A human or toon can survive having a piano dropped on them if it'd be funny to any observers. If it's not, like when Eddie Valiant's brother was murdered by Judge Doom, then the very real consequences apply.
• Cool World has a comic character emerging into the real world and alternating between the two, with all the associated physical effects.
• The Mask (1994): Those who wear the mask are given superpowers that amount to classic cartoon physics. Some justification is given in that the first wearer is a fan of them. The sequel elaborates that the mask is a creation of the Norse trickster god, Loki.
• Twilight Zone: The Movie includes a sequence where the Omnipotent Child both brings a cartoon character into real life, and sends Nancy Cartwright into a cartoon. It ends VERY badly for her.
• Space Jam and Looney Tunes: Back in Action. Special note in the former, as it turns out that normal humans can also use Toon Physics in "Looney Tunes Land", setting up an awesome moment for Michael Jordan.
• The Adventures of Rocky & Bullwinkle showed this as the characters were in the real world with a Shout-Out to Who Framed Roger Rabbit.
• Kung Fu Hustle is a rare live-action example that doesn't involve the Roger Rabbit Effect. The back cover of the DVD aptly describes the film as Looney Tunes meets Quentin Tarantino.
• Lampshaded in Ernest Rides Again when Ernest thanks cartoon physics for how he manages to survive all manner of crazy things like a nail gun shooting him in the head:

  Abner: Ernest! Are you dead?!

  Ernest: No... I guess I would be if I weren't just that close to being an actual cartoon.

• Played with in Chip 'n Dale: Rescue Rangers (2022). Chip at one point is able to blow into his thumb to restore a lost ear, but Dale, who has undergone CGI-surgery, is no longer capable of exploiting Toon Physics when he gets stuck in a restraint.

  Dale: This body is meant to be looked at, not touched!

• Hundreds of Beavers completly runs on Toon Physics and the Rule of Funny. While some objects and sequences are animated, the movie's protagonist is clearly human - and most of the animals, while acting cartoony, are played by actors in silly costumes.

    Live-Action TV 

• The basis of the season 8 Supernatural episode "Hunteri Heroici". A powerful telekinetic loses his grip on reality and retreats into a dream-world made up of his childhood cartoons. His abilities go full-on Reality Warper and apply Toon Physics to everything in his vicinity.
• One episode of Farscape had stuff like a cartoon bomb going off in one cast member's face.
• The Animated Episode "Yabba Dabba Do Me" of Lucifer (2016) sees Lucifer and Chloe visiting a place in Hell that's basically an Alternate Tooniverse - naturally, everything runs on Toon Physics or - how Lucifer calls it - "bloody cartoon logic".

    Tabletop Games 

• Steve Jackson Games published a roleplaying system called Toon. It obeys this trope to the letter; characters are unkillable (though they can Fall Down for a few rounds), failing an intelligence roll can allow one to ignore gravity, and sawing through a tree branch has a fifty percent chance of causing the tree to fall with the branch suspended in midair. The entire point of the game is to be as funny as possible.

    Video Games 

• Henry Stickmin Series: In Completing the Mission, Henry can attempt to invoke this when the Toppat Clan are forcing him to Walk the Plank. He grabs a chainsaw, saws right through the plank, and grins expectantly... only to immediately plummet to his death. The fail screen lampshades that they too expected the other side to fall, like in all the cartoons.
• The Bendy and the Ink Machine games use these rather heavily.
• Cuphead uses these almost constantly due to being based on 30s animation.
• Team Fortress 2 is a rather unique example. The game's physics are very consistent with real life, due to using the Havok physics engine, however:
  • The Pyro's Flamethrower comes equipped with an air compressor that can reflect rockets.
  • Scout can jump in midair (common in video games, but also common in cartoon physics as well).
  • Soldier can shoot explosives at people's feet, which propels them upward (including his own feet).
    • As can the Demoman.
  • The recoil from one of the Scout's weapons is so strong that he can propel himself in mid-air with it.
  • The Heavy can shoot people by making his hand into a gun-shape and shouting "POW!".
  • Saxton Hale from the self-named mod can jump 100 feet in the air on a whim.

  Saxton Hale: Screw gravity!

  • EVERYONE stores their weapons in Hammerspace.
  • Engineers fix their stuff by nonsensically whacking it with a wrench.
  • One can die by being hit with a fish four to five times from full health.
  • A bomb on a stick is a viable weapon outside of suicidal charges, leaving the Demoman using it still alive (albeit barely: good luck on the fall!).
  • The Scout can send someone flying across the map with the swing of a bat. Bear in mind he has normal human strength. Mostly.
• The Legend of Zelda: The Wind Waker is also like Team Fortress 2, in that it mixes Toon Physics with realistic physics done in Nintendo's own proprietary physics engine. In fact, all in-game physics is realistic, with impressive simulation of rope bridges, string, hair, and cloth, and generic Newtonian dynamics, while Toon Physics only appears during cutscenes, which have scripted animations that are rendered within the game engine. Small enemies can be squashed flat by a giant hammer in regular gameplay, though.
• Skullgirls characters all operate under some degree of cartoon physics due to it being a fighting game, but none moreso than Peacock. Peacock's entire gimmick is being a superpowered cyborg whose appearance and abilities are all heavily based off of Golden Age cartoons. She is explicitly described as being able to bend reality to fit her cartoonish fighting style. Peacock pulls a plethora of weapons out of Hammerspace, summons Shadows of Impending Doom to drop random objects such as pianos and other hefty objects on her opponents' heads, shoots Abnormal Ammo from her comically oversized revolver, pulls opponents into a Big Ball of Violence, can summon an entire backup squad of cartoon cronies including a multitude of walking bombs, and utilises many other playfully painful fighting techniques that operate under these rules.
• The Mario & Luigi series uses these rules more aggressively than almost any other Mario franchise. They're mostly used for travel purposes... such as Luigi slamming Mario on the head with a hammer to squash him short so he can walk under a doorway, or Mario lighting Luigi's butt on fire in order to make him run at breakneck speed.
• Dead Space 2: The Foam Finger weapon, a reward for beating the game's Ironman challenge, runs off of Toon Physics. It's a, well, a giant foam hand Giving Someone the Pointer Finger, labelled "We're #1!" To fire, Issac points the weapon at an enemy and yells "BANG!" or "PEW PEW PEW!", whereupon all their arms and legs fall off. It returns in 3 as the "Devil's Horns," a similar foam hand doing the Metal Horns gesture that acts the same way.

    Webcomics 

• Project 0: One of the powers afforded by modding. It's only been used sparsely.
• The Cartoon Chronicles of Conroy Cat breaks up cartoon physics into two factors: the Funny Bone, where toons can withstand things like Amusing Injuries, and the Fourth Wall, as seen here.
• It happens in The Order of the Stick when Vaarsuvius disintegrates the horse of the death knight. The usual lampshade is hung.

  Vaarsuvius: W. E. Coyote's Law of Cartoon Inertia: "Objects in motion tend to stay at the same altitude until gravity is noticed.".

• In a The Hero of Three Faces strip, when discussing how Star Trek universe physics makes perfect sense to Trek characters, even though from the Doctor's perspective it's total nonsense, Data points out that physics are bound to be consistant within a fictional plane, and offers the analogy that, were they to visit the Looney Tunes universe, Wile E. Coyote physics would apply to them. Cut to the Doctor blindfolding Data on top of a cliff.

  Data: I fail to understand why I have been selected for this experiment.
  Doctor: Because it was your idea!

• Sergeant Acme of Kong Tower has this as a Superpower, complete with Hammerspace and Wheel o' Feet.
• In The Bird Feeder #224, "Rain protection," it's used by Josh to torment Lewis. The bill of his cap extends to stop the rain from hitting Lewis, though the effect only works due to the perspective.
• The Inexplicable Adventures of Bob! tends to follow Rule of Funny or Rule of Drama depending on the needs of the scene. On the one hand, people can survive dragonfire and explosions with no more than singed eyebrows, spaceships can routinely crash into Bob's roof without obliterating his house, and the thousands-of-tons heavy Snookums can hop around like a bunny without doing any worse than cracking the sidewalk. On the other hand, Bob himself gets banged up surprisingly seriously on a pretty regular basis. It was a major plot point that he was lastingly spooked by how close the Cone story arc came to killing him.

    Web Originals 

• After being transformed into human cartoon characters, the (live action) characters in The Cartoon Man begin operating on Toon Physics.
• A good bit of Happy Tree Friends comes from playing with this trope all over the place for the sake of Gorn. Cartoon Physics will be played straight, subverted, averted, and exploited by the animators to try and make the outcome as cruel and darkly funny as possible.
• This trope has been used numerous times in DEATH BATTLE! and will make or break a battle. The main conclusion to be drawn from this is that characters with access to Toon Physics that were never meant to be analyzed are so unstoppable that they make even Chuck Norris and Segata Sanshiro look totally helpless.
  • An interesting case is with Deadpool. In "Deadpool VS Pinkie Pie", his Healing Factor is so on par with Pinkie Pie's usage of this that they both tie, yet in "Deadpool VS Mask", The Mask's own mastery of this trope is so beyond what Pinkie has that he curb-stomps Deadpool, something that both Wiz and Boomstick regret.
  • Saitama, the unstoppable One-Punch Man, goes up against Popeye the Sailor Man. The former is given the fight he so desires and is defeated.
  • In "SpongeBob VS Aquaman (Super Friends)", SpongeBob SquarePants himself fights 1970s cartoon Aquaman, resulting to a Curb-Stomp Battle leading to the latter's defeat.
  • In "Scooby-Doo VS Courage the Cowardly Dog", both Scooby and Courage have enough toon physics to survive anything that the other can throw, ending in a draw. The same doesn't apply to Eustace Bagge, who ends up the casualty and loser of the match.
  • "Wile E. Coyote VS Tom Cat" involves a battle between characters whose toon physics usually work against them. Wile E. Coyote and Tom Cat have both suffered countless cartoony defeats, but Wile E. ends up the victor, because he usually only suffers them at the hands of the Road Runner and Bugs, in addition to having a way to take away Tom's toon abilities with the Looney DNA Dissolver.
• Musical Hell: In Diva's riff on Rolf Kauka's Once Upon a Time, she lampshades this trope when the Cobbler fails to adhere to Gravity Is a Harsh Mistress.

  Diva: No, no! You looked down so now you MUST fall comically to your doom! This is like, the first rule of cartoon physics! Ugh!

• Vtuber Pumpkin Potion's entire schtick is that she's a living cartoon character from 1931. Her donation incentives, to that end, involve being harmlessly (and inexplicably) nailed by pies and anvils, (both of which each glitched out and left her absolutely buried in pies and anvils), and being smashed flat by falling pianoes. Avatar not cooperating? No, that's her toon-force acting up because she's hung over.

    Western Animation 

• The Amazing World of Gumball: The titular character and (to a lesser extent) his family use and abuse this trope in practically every episode, purely for Rule of Funny. Other characters do it too, albeit less frequently.
• Deconstructed in the Ed, Edd n Eddy episode "One + One = Ed", which has the Eds experiment with cartoon physics, which don't (overtly) apply in the show, and they end up destroying the universe (which then goes back to normal near the end [sort of]).
• Bonkers — in which the humans, while animated, aren't considered "toons", and don't usually get the benefit of Toon Physics. However, non-Toons can use Toon Physics on occasion, if the person is willing, with Lucky walking on thin air and Miranda changing into a disguise outfit instantly as examples. They arguably have the advantage here, as Toons seem compelled to finish the gag and make it funny over making Toon Physics useful, as seen when Lucky is able to resist looking down and breaking the "walking on thin air" joke, while Bonkers and the villain have to look down and fall.
  • In one episode, a chase through Toontown leads Lucky and Bonkers to the intersection of Squash and Stretch Streets. Their influence forces Bonkers through some pretty bizarre contortions, much to Lucky's amusement — until they start trying to make him do the same thing.
• Animaniacs features this in spades, though naturally the Warners use it the most out of the cast.
• Walt Disney himself referred to this phenomenon as "The Plausible Impossible", i.e. animating actions that would be physically impossible (a character walks off a cliff and still stands in mid-air) and making them seem plausible in the animated setting (said character then looks down, realizes his predicament and starts falling).
• My Little Pony: Friendship Is Magic:
  • Pinkie Pie has many toony abilities no other pony is capable of. These almost never amount to any practical effect, however, and are generally accepted as "Weird things that Pinkie Pie does, just ignore it" by anyone around to witness them. Among other things, she's able to pass through walls by ducking out and into frame, abruptly pop out of things far too small to hold her (including Rarity's hat), chase ponies à la Pepé Le Pew, stretch like she's made of rubber, and devour a cake several times her size (an act which even shocked Princess Celestia, the kingdom's ruler and Physical Goddess, who is well over 1000 years old).
  • The wiki has a gallery dedicated to "Pinkie Pie being cartoonish."
  • "Winter Wrap-Up" shows that other ponies are capable of Pinkie's antics (much to Dash's confusion) but only during elaborate musical sequences.
  • Fanfic writer D. G. D. Davidson points out that one of the reasons My Little Pony fanfiction tends to seem grittier than the show is that the loony, ubiquitous version that work seamlessly in animation don't translate very well to writing, and so the setting has to be made more realistic and less cartoony and carefree. This particularly hits Pinkie, since her toon gags are a large part of her portrayal in the show, and she's not easy to write without them.
  • The characters are often startled by Pinkie's antics, but seldom actually comment on them, shrugging them off as Pinkie Pie being Pinkie Pie. Rainbow Dash does, however, call her on it in "Too Many Pinkie Pies", when she slows down her fall in midair in order to slip into a lake quietly. However, Pinkie's explanation of how she did it, as per usual, is completely unhelpful.
• The trope was collectively codified in Looney Tunes and Tex Avery shorts. Bugs Bunny lampshaded it once:

  Bugs: I know 'dis defies da laws of gravity, but I never studied law.

• Darkwing Duck does not only lampshade these "Physics" — he also (ab)uses them to his advantage! Like by slipping under a door just after being Squashed Flat.
• Grojband: All characters seem to be capable of toon physics, fitting perfectly with the zany No Fourth Wall nature of the show. Characters can warp, distort, or sometimes outright dismember their bodies to no ill effect.
• An episode of Johnny Test had a pair of cartoon characters transported into the "real world" and cause havoc. They were virtually unstoppable due to this, as they were functionally invulnerable.
• In the Heckle and Jeckle short "The Power of Thought", Jeckle tells Heckle that he has realized that as cartoon characters, they can do anything they can think of. They then proceed to make a bulldog policeman's life a living hell, until he realizes that he, too, is a cartoon character.
• Tiny Toon Adventures has a lot of this, seeing as it takes place at a school for young Toons to learn how to do what Toons do best. An episode from the second season of the show was titled "Toon Physics", and featured cutaway gags with Orson Whales explaining to the viewers how Toon Physics differ from Real World Physics.
  • Another episode opens with the characters being taught about the Gravity Is a Harsh Mistress element of Toon Physics by their teacher standing on his desk, walking off it onto thin air, and pointing out to them that he won't start falling until he looks down. When the characters need to cross a huge gorge at the end of the episode, they exploit this by walking off the edge of the cliff and making a point of not looking down.
• Phineas and Ferb utilizes this frequently, typically with a Lampshade Hanging.
• The Twisted Tales of Felix the Cat.
• The Mask: Animated Series. Ace Ventura even lampshades this in the crossover episode "The Aceman Cometh".
• Played with Kappa Mikey. The title character himself has this, but the anime (Japanese) characters are more into this than himself.
• This subject is explored in the Ben 10 (2016) episode, "Xingo." In it, Ben accidentally brings the titular character into his reality when he goes Upgrade to fix the TV and lightning strikes the satellite dish. Xingo, despite no longer being in his own reality, still operates entirely on cartoon logic. He's nigh-invulnerable, capable of seemingly unlimited shapeshifting, can materialize any object out of thin air, and is at the very least Type Two omnipotent. He's also completely incapable of distinguishing between what is harmless fun and actually harmful outside of his normal cartoon reality.
• In "Lucky Pajamas" on Llama Llama, when Mama Llama agrees to let Llama Llama wear his "lucky pajamas" for the whole day, he gives a leap in the air that is rather too high, too slow and too sustained to be realistic.
• The Corner Gas animated series tries to be as grounded as it was when it was originally a live action series. But one episode has Wanda build a caged fighting arena in little time, which surprised Lacey. Wanda explains that she feels like she's no longer bound by the limitations of real life.
• SWAT Kats normally averted it, given it was a serious action series (from Hanna-Barbera, no less), excepting a quick gag (when Chance was busy watching the in-universe cartoon Scaredy Kat and Jake told him Callie was in danger; Chance promptly rushes off-screen and is suddenly in his flight suit).
• Unicorn Academy: The characters are insanely tough; humans, for example, are barely fazed by falling into a chasm, and unicorns can survive landing on their backs.

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