The greatest patrons of illuminated books in the period were the monastic houses; but the artists themselves were not necessarily monks. In the near-absence of technical manuals and model-books, the manuscripts themselves – especially when unfinished – provide the only evidence for artistic techniques. The chapter interrogates the term ‘Romanesque’ and attempts to characterize and to understand the relation between the text and its decoration, especially in the form of initial letters, whethe...
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Authors More by this authorEnglish
Chapter
pubs:1594932
2024-01-03
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