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Decoration and illustration - ORA

Abstract:

The greatest patrons of illuminated books in the period were the monastic houses; but the artists themselves were not necessarily monks. In the near-absence of technical manuals and model-books, the manuscripts themselves – especially when unfinished – provide the only evidence for artistic techniques. The chapter interrogates the term ‘Romanesque’ and attempts to characterize and to understand the relation between the text and its decoration, especially in the form of initial letters, whethe...

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Publication status:
Published
Peer review status:
Peer reviewed
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Authors More by this author

Institution:
University of Oxford
Division:
GLAM
Department:
Bodleian Special Collections
Role:
Author

Contributors Bibliographic Details
Publisher:
Cambridge University Press
Host title:
The European Book in the Twelfth Century
Chapter number:
3
Series:
Cambridge Studies in Medieval Literature
Place of publication:
Cambridge
Publication date:
2018-07-03
Edition:
1
DOI:
EISBN:
9781316480205
ISBN:
9781107136984
Item Description
Language:

English

Subtype:

Chapter

Pubs id:
Local pid:

pubs:1594932

Deposit date:

2024-01-03


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