This paper proposes that we think of traditional story patterns as an available abstraction technology, containing strategies of parameterization and encapsulation that could be useful for creating digital narratives with meaningful variation of story elements. An example domain of a woman with two or more potential sexual/romantic partners is used to illustrate how such an approach could leverage the dramatic compression of narrative traditions to identify meaningful variations, in order to support coherent composition by authors and increase dramatic agency for interactors.
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Graduate Program in Digital Media, School of Literature, Communication and Culture, Georgia Tech, TSRB 320A, Atlanta, GA, 30332, USA
Janet H. Murray
Cognitive Science Department, Renselear Polytechnic Institute, Carnegie 311, 110 8 th Street, 12180, Troy, NY, USA
Mei Si
Department of Computing Science, University of Alberta, T6G 2E8, Edmonton, Alberta, Canada
David Thue
Laboratory for Human-Centered Multimedia, Instituti for Informatik, Augsburg University, Universitaetsstr. 6a, 86159, Augsburg, Germany
Elisabeth André
Department of Computer Science, North Carolina State University, 890 Oval Drive, 27695-8206,, Raleigh, NC, USA
James C. Lester
School of Interactive Arts and Technology ( SIAT), Simon Fraser University, V3T 0A3, Surrey, BC, Canada
Theresa Jean Tanenbaum
Electronic Arts, 4330 Sanderson Way, V5G 4X1, Burnaby, BC, Canada
Veronica Zammitto
© 2011 Springer-Verlag Berlin Heidelberg
About this paper Cite this paperMurray, J.H. (2011). Why Paris Needs Hector and Lancelot Needs Mordred: Using Traditional Narrative Roles and Functions for Dramatic Compression in Interactive Narrative. In: Si, M., Thue, D., André, E., Lester, J.C., Tanenbaum, T.J., Zammitto, V. (eds) Interactive Storytelling. ICIDS 2011. Lecture Notes in Computer Science, vol 7069. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-25289-1_2
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Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-25288-4
Online ISBN: 978-3-642-25289-1
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