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Walters Ms. W.9, LectionaryBrowse images (Browse images in a new window) | TEI in XML format
Abstract
This Lectionary was created ca. 1000 in Trier. Written in a clear Caroline minuscule, it contains decorated initials at the openings of important readings. A set of illuminated letters marks the beginning of the Epistle and Gospel lessons for Easter; they display the hierarchy of scripts with capital letters decorated with gold leaf or drawn in red ink, followed by uncial and Caroline minuscule. Initials in orange, sometimes filled with gold, mark the divisions of the text. The book has been stylistically compared with Ottonian manuscripts, especially with a Psalter preserved in Trier (Stadtbibliothek, Ms. 7) illuminated by the so-called Master of the Registrum Gregorii.
Language:
The primary language in this manuscript is Latin.
Support material
Parchment
Thin to medium-weight parchment; hair still visible on skin, especially toward the end of the manuscript
Extent
Foliation: iii+361+iii
First front and back flyleaves are modern paper, glued to black silk also used as pastedown; the other front and back flyleaves are modern parchment
Collation
Formula: Undetermined
Catchwords: None
Signatures: None
Comments: Binding too tight to see stitching
Dimensions
10.9 cm wide by 13.8 cm high
Written surface
7.8 cm wide by 10.5 cm high
Layout
Contents:
fols. 1r - 361v:Decoration:
fol. 1r:
fol. 152v:
fol. 153v:
fol. 186v:
Binding
The binding is not original.
Early twentieth-century dark blue morocco, made in Paris by Léon Gruel; upper cover decorated with the word "Lectionarium" with edges in gold and letters in crimson; the initial "L" has vine decoration and stems in crimson, green, and blue; gold tooling around the edge of binding
Provenance
Made in Trier in the early eleventh century
Léon Gruel, Paris, early twentieth century
Henry Walters, Baltimore, by purchase from Gruel before 1931
Acquisition
Walters Art Museum, 1931, by Henry Walters' bequest
Bibliography
Hoffman, Hartmut. "Buchkunst und Koeningtum im ottonischen unde fruesalischen Reich." Schriften der Monumenta Germaniae Historica 30, no. 1 (1986): p. 454.
De Ricci, Seymour, and William J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada. 2 vols. New York: H.W. Wilson Company, 1935, p. 768, no. 69.
Clarkson, Christopher. "Rediscovering Parchment: The Nature of the Beast." The Paper Conservator 16 (1992): pp. 5-26.
Nordenfalk, Carl. "Der Meister des Registrum Gregorii." Munchener Jahrbuch der Bildenden Kunst 3, no. 1 (1950): p. 64, fig. 7.
Austin, Gerard. "Bibliographie: Liturgical Manuscripts in the United States and Canada." Scriptorium 28 (1974): p. 99.
Nitschke, Brigitte. Die Handschriftengruppe um den Meister des Registrum Gregorii. Recklinghausen: Verlag Aurel Bongers, 1966.
Contributors
Catalogers: Valle, Chiara; Walters Art Museum curatorial staff and researchers since 1934
Editors: Herbert, Lynley; Noel, William
Copy editor: Dibble, Charles
Conservators: Owen, Linda; Quandt, Abigail
Contributors: Bockrath, Diane; Emery, Doug; Hamburger, Jeffrey; Noel, William; Tabritha, Ariel; Toth, Michael B.
Publisher
The Walters Art Museum
License
Licensed for use under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.
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