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Walters Ms. W.190, Book of HoursBrowse images (Browse images in a new window) | TEI in XML format
Abstract
Illuminated in the style of the Master of the Black Prayerbook, this manuscript was created ca. 1460-1470. It contains features in the calendar that indicate a destination of Bruges, and aspects of the litany point to the city of Liège. The manuscript is currently misbound, but an attempt has been made to reconstruct the original order of the quires. The full-page miniatures and historiated initials are painted with a mixture of grisaille and colored techniques. There may be a reference to the patron and their family taking communion on fol. 47v.
Language:
The primary language in this manuscript is Latin.
Support material
Parchment
Well-selected parchment of light to medium weight; margins were cleaned sometime in the modern era, occasionally causing damage (eg., fol. 48r, initial on line one has almost disappeared)
Extent
Foliation: i+139+i
Front and back flyleaves are modern parchment and are bifoliate with pastedowns
Collation
Formula: As it appears in the current binding: Quires 1-2: 6 (fols. 1-12); Quire 3: 6, with fifth folio cancelled (fols. 13-17); Quire 4: 6 (fols. 18-23); Quire 5: 8, with eighth folio cancelled (fols. 24-30); Quire 6: 4, with first folio cancelled (fols. 31-33); Quire 7: 2 (fols. 34-35); Quires 8-9: 8 (fols. 36-51); Quire 10: 8, with first and eighth folios cancelled (fols. 52-57); Quire 11: 8 (fols. 58-65); Quire 12: 8 (fols. 66-73); Quire 13: 8, with first folio cancelled (fols. 74-80); Quires 14-18: 8 (fols. 81-120); Quire 19: 10, with tenth folio cancelled (fols. 121-129); Quire 20: 6 (fols. 130-135); Quire 21: 4 (fols. 136-139)
Comments:
Dimensions
11.8 cm wide by 17.5 cm high
Written surface
fols. 1r - 139v: 6.1 cm wide by 10.2 cm high
fols. 1r - 12v: 5.8 cm wide by 9.2 cm high
Layout
fols. 1r - 139v:Contents:
fols. 1r - 139v:Decoration:
fol. 13r:
fol. 17r:
fol. 20r:
fol. 23r:
fol. 32v:
fol. 36r:
fol. 45r:
fol. 47v:
Possibly a portrait of the patrons and their family
fol. 50v:
fol. 52v:
fol. 62v:
fol. 67v:
fol. 73v:
fol. 79v:
fol. 84v:
fol. 91r:
fol. 96v:
Binding
The binding is not original.
Bound in France ca. 1900 in dark green velvet, and leather fore-edge tabs added at that time
Provenance
Created ca. 1460-70, calendar indicates Bruges as destination, and litany has features common to Liège; fol. 47v may have portrait of patron and family
Effaced monogram on top-right of fol. 1r visible under UV light; lower margin of same page has inscription in brown ink "Ioannes Reitmakers/anno 1663"
Léon Gruel, Paris, late nineteenth-early twentieth century; possibly rebound by him; bookplate on upper board inside
Henry Walters, Baltimore, likely purchased from Gruel between 1900 and 1931
Acquisition
Walters Art Museum, 1931, by Henry Walters' bequest
Bibliography
De Ricci, Seymour, and W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935; p. 794, cat. no. 234.
Miner, Dorothy. Illuminated Books of the Middle Ages and Renaissance: An Exhibition Held at the Baltimore Museum of Art. Baltimore: Trustees of the Walters Art Museum and the Baltimore Museum of Art, 1949; cat. no. 132.
Delaissé, Leon M. J. Miniature flamande: La mécénat de Philippe le Bon. Exhibition Catalogue. Brussels: Palais de Beaux-Arts, 1959.
Diringer, David. The Illuminated Book: Its History and Production. Revised Edition. New York: Faber and Faber, 1967; pp. 449-450.
Bowles, Edmund A. "A Checklist of Musical Instruments in Fifteenth Century Illuminated Manuscripts at the Walters Art Gallery." Music Library Association 32 (1976): 719-726; p. 723.
Jenni, Ulrike, and Dagmar Thoss. Das Schwarze Gebetbuch (Gebetbuch des Galeazzo Maria Sforza): Codex 1856 der Ãsterreichischen Nationalbibliothek in Wien. Kommentar zur Faksimileausgabe. Frankfurt: Insel Verlag, 1982; pp. 65, 70, 101-102.
Mavarelli, Cristina G., with Maria Jole Minicucci and Maria Grazia Ciardi Duprè dal Poggetto. I Libre d'Ore della Biblioteca Riccardiana. Vol 1: I Libri d'Ore francesi e fiamminghi. Rome: Istituto poligrafico e Zecca dello Stato, 1986; p. 329.
Dogaer, Georges. Flemish Miniature Painting in the 15th and 16th Century. Amsterdam: B.M. Israël, 1987; pp. 103, 121, 136.
Owens, Margaret B. "Musical Subjects in the Illumination of Books of Hours from Fifteenth-Century France and Flanders." Ph.D. diss., University of Chicago, 1987; p. 398.
Pächt, Otto and Dagmar Thoss. Die illuminierten Handschriften und Inkunabeln der Ãsterreichischen Nationalbibliothek, Französische Schule, II. Ãsterreichische Akademie der Wissenschaften, Phil.-Hist. Klasse, Denkschriften 160. 2 vols. Vienna: Verlag de Ãsterreichische, 1990; vol. 1, pp. 25, 34, figs. 5, 9, 10.
Crossley-Holland, Nicole. A Fifteenth-Century Franciscan French Office: Translation and Commentary of the Hours of the Passion. Medieval Studies 4. Lewiston/Queenston: E. Mellen Press, 1991; pp. 143, 144.
Randall, Lilian M. C. Medieval and Renaissance Manuscripts in the Walters Art Gallery. Vol. 3, Belgium, 1250-1530. Baltimore and London: Johns Hopkins University Press in association with the Walters Art Gallery, 1997; pp. 312-317, cat. no. 263.
Kren, Thomas. "Master of the Dresden Prayerbook and Ghent Associates." In Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe. Edited by Thomas Kren and Scott McKendrick, 180-181. Los Angeles: The J. Paul Getty Trust, 2003; p. 181 (ref. under cat. no. 36).
Morrison, Elizabeth. "Master of the David Scenes in the Grimani Breviary and Another Illuminator." In Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe. Edited by Thomas Kren and Scott McKendrick, 390-391. Los Angeles: J. Paul Getty Museum Publishers, 2003; p. 391 (ref. under cat. no. 116).
Vanwijnsberghe, Dominique. "Le cycle d'enfance des petites de la vierge dans les livres d'heures des pays-bas méridionaux." In Manuscripten en miniaturen: Studies aangeboden aan Anne S. Korteweg bij haar afscheid van de Koninklijke Bibliotheek (Bijdragen tot de Geschiedenis van de Nederlandse Boekhandel. Nieuwe Reeks (8). Edited by Jos Biemans, Klaas van der Hoek, Kathryn M. Rudy, and Ed van der Vlist, 355-366. Zutphen: Walburg Pers, 2007; p. 365.
Hans-Collas, Illona, and Hanno Wijsman. Le Livre dâheures et de prières dâAgnès de Bourgogne, duchesse de Bourbon. Art de l'enluminure 29 (2009): 20-47; p. 44.
Contributors
Principal cataloger: Randall, Lilian M.C.
Cataloger: Shartrand, Emily
Editor: Herbert, Lynley
Copy editor: Wallace, Susan
Conservators: Owen, Linda; Quandt, Abigail
Contributors: Emery, Doug; Noel, William; Schuele, Allyson; Tabritha, Ariel; Toth, Michael B.; Valle, Chiara; Wiegand, Kimber
Publisher
The Walters Art Museum
License
Licensed for use under Creative Commons Attribution-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.
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