Showing content from http://hdl.handle.net/2142/99733 below:
Violin Technique in Jenő Hubay’s Four Violin Concertos
- University of Illinois Urbana-Champaign
- Academic Units
- College of Fine and Applied Arts
- School of Music
- Doctoral Project Papers [Option 3] - Music
- Violin Technique in Jenő Hubay’s Four Violin Concertos
Violin Technique in Jenő Hubay’s Four Violin Concertos Pu, Lihua
This item is only available for download by members of the University of Illinois community. Students, faculty, and staff at the U of I may log in with your NetID and password to view the item. If you are trying to access an Illinois-restricted dissertation or thesis, you can request a copy through your library's Inter-Library Loan office or purchase a copy directly from ProQuest.
Permalink
https://hdl.handle.net/2142/99733
Description
-
Title
-
Violin Technique in Jenő Hubay’s Four Violin Concertos
-
Author(s)
-
Pu, Lihua
-
Issue Date
-
2018
-
Director of Research (if dissertation) or Advisor (if thesis)
-
Bashford, Christina
-
Doctoral Committee Chair(s)
-
Moersch, Charlotte Mattax
-
Committee Member(s)
-
- Milenkovich, Stefan
- Solya, Andrea
-
Department of Study
-
School of Music
-
Discipline
-
Music
-
Degree Granting Institution
-
University of Illinois at Urbana-Champaign
-
Degree Name
-
A.Mus.D. (doctoral)
-
Date of Ingest
-
2018-04-20T17:09:00Z
-
Keyword(s)
-
- Jenő Hubay
- Violin Concerto Op. 21, Op. 90, Op.99, Op.101
- Violin Technique
- Romantic period
-
Language
-
en
-
Abstract
-
This dissertation examines the four Violin Concertos composed by Jenő Hubay and traces the development of his violin technique in these compositions. In addition, his roles as founder of a Hungarian violin school and as a popular concerto soloist will be considered, along with his relationships with the dedicatees of his concertos. Chapter 1 begins with a discussion of Hubay’s musical style, and in particular, the late-romantic influences in his works. Chapter 2 begins with background introduction, and then provides an overview of the structure and forms of each of Hubay’s four violin concertos. Chapter 3 continues the discussing of the stylistic relationships between the concertos and their dedicatees. Chapter 4 covers the technical demands of the concertos and examines performance issues, including tempo, bowing/articulation, dynamics, tempo rubato and portamento/vibrato. Chapter 5 offers a conclusion, and a summary of the technical issues which appear in all four of the concertos.
-
Type of Resource
-
-
Permalink
-
http://hdl.handle.net/2142/99733
-
Copyright and License Information
-
Copyright 2018 Lihua Pu
Owning Collections
RetroSearch is an open source project built by @garambo
| Open a GitHub Issue
Search and Browse the WWW like it's 1997 | Search results from DuckDuckGo
HTML:
3.2
| Encoding:
UTF-8
| Version:
0.7.4